Într-un tărâm în care verile durează decenii, iar iernile vieți, belelele pândesc la tot pasul. Din sudul machivelic și sălbaticele ținuturi din est până în nordul înghețat și anticul zid ce protejează regatul de întuneric, două puternice familii sunt prinse într-un joc mortal de-a șoarecele și pisica, al cărui scop e controlul absolut asupra celor Șapte Regate din Westeros. În timp ce trădările, poftele carnale, intrigile și forțele supranaturale zguduie cele patru colțuri ale regatelor, sângeroasa luptă pentru tronul de fier va avea consecințe neprevăzute. Verile durează decenii. Iernile pot dura o viață. Și lupta pentru Tronul de Fier a început. Se va întinde din Sud, unde căldura provoacă comploturi, pofte și intrigi; către sălbaticele tărâmuri estice; și până în Nordul înghețat, unde un zid de gheață de 400 m protejează Regatul de forțele întunecate de dincolo.

Shigeno Daigo is an elementary student whose father, Goro, is a professional baseball player. Inspired by his father, who was once a Major League player, Daigo started playing baseball with the Mifune Dolphins, a youth team. However, he was unable to live up to the expectations of being the son of a professional, and quit baseball after less than a year. Then, in the spring of his sixth-grade year, Daigo's school welcomes a transfer student, Sato Hikaru, whose father is Sato Toshiya, a former Major League player and Goro's close friend. The fate of these two young men begins to move forward!

Shaun, Harvey, Gadget, Trev and Kelly hit up the nightlife of raves and ecstasy. Woody and Lol are happy, living together with their kids and Combo is still in prison. But things slowly change. This is the year 1990 and This is England.

Ruby Wax’s interviews in the 90s were some of the most talked-about shows on TV. These sensational series have never been repeated, and Ruby has never watched them back - until now.

TV Colosso was a Brazilian children's television series produced by Rede Globo, that began on April 19, 1993, and finished on January 3, 1997. The show utilized puppets, body puppets, remote-controlled animatronics and bluescreen puppets. It stars a group of working dogs in a TV station that struggle to put her TV shows on air. The show presented "Jornal Colossal"; "Clip-Cão"; "Pedigree", a parody of Rede Globo's soap operas; "As Aventuras do Super-Cão"; "Olimpíadas de Cachorro"; "Acredite Se Puder" satirizing the Ripley's Believe It or Not! ; "ColosShow"; "Asfalto Quente"; "Aprendendo Prá Cachorro"; "CapaShow"; and others. The show was created by Luiz Ferré, a graphic artist, who also created its characters; and directed by J. B. de Oliveira, famous for Rede Globo's hits No Limite and Big Brother Brasil. The puppets were created by Criadores e Criaturas, Ltda. and made by Roberto Dornelles from Grupo 100 Modos de Teatro de Bonecos. It was a big hit on Brazil and worldwide, but was cancelled due to intense production costs. In 2009, the show's return in April of the same year was discussed by the producer, but not happened. Also in that year, it was reported that an DVD box set featuring the show's most important episodes and a Broadway-inspired musical are in works.

A separated couple live together for their child's sake in this satirical dramedy about what it means to be a good parent and spouse in today's world.

A hotel's night manager is the only weapon against a dangerous arms dealer. Will he be able to stop him?

is a Brazilian television series for children, produced by Rede Bandeirantes in partnership with mixer and co-producer Nickelodeon Brazil.

The lure of Thailand's Ladyboys is so strong that many men will leave behind everything and everyone they know to be with them. This fascinating series follows two expats, Scott and David, and their ladyboy loves. Scott moves to Thailand to join his fiancé, Paeng, after a three year long-distance relationship. David introduces his ladyboy girlfriend, Annie, to his son and insists he is straight.

Bayron City -- a Mega-Float type city in the Pacific Ocean, which doesn't belong to any particular nation. As the mine for Orgonium, a new energy resource, this city is the most noticed in the world right now, and here special cases caused by demons called "D Hazards" has been occurring frequently. Only a handful of people know about the existence of D Hazards. They are handled by PMCs (Private Military Companies). Shu is a young man living in Bayron City who runs such a company, but his company is tiny. On top of that, he cherry-picks his jobs, so he is always in a bind for money. His life, both publicly and privately, is being supported by the beautiful high school girl Kisara who attends a school in Bayron City.

15-year-old Zakaria will face the toughest decisions of his life as he deals with juvenile detention, a new foster family and the temptations of organised crime. After a failed rescue attempt by Muis, the problems of 15-year-old Komtgoed are growing rapidly. A fight in the street escalates and he ends up in the clutches of the judicial system. Juvenile detention and a foster family follow. As his problems increase, there seems to be only one way to make something of his life.

Mixels are mischievous creatures who live in tribes of three. They have the ability to combine with other Mixels, either within a single tribe or cross-combining to gain another tribe's abilities. All that is needed to combine are willing Mixels and a magical square known as a cubit. The colorful creatures have to look out for Nixels, who consider themselves superior and like to destroy Mixel combinations. Major Nixel, the group's leader, throws and kicks his underlings to steal cubits.

Foreigners out! Schlingensiefs Container, alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was conceptually designed by Christoph Schlingensief and directed by Paul Poet, and was styled as a mockery of popular TV program format Big Brother. It was critically aimed both at certain forms of television entertainment and at a latent xenophobia still thriving in the whole world.