The Kitades run a butcher shop in Kaizuka City outside Osaka, raising and slaughtering cattle to sell the meat in their store. The seventh generation of their family's business, they are descendants of the buraku people, a social minority held over from the caste system abolished in the 19th century that is still subject to discrimination. As the Kitades are forced to make the difficult decision to shut down their slaughterhouse, the question posed by the film is whether doing this will also result in the deconstruction of the prejudices imposed on them. Though primarily documenting the process of their work with meticulous detail, Aya Hanabusa also touches on the Kitades' participation in the buraku liberation movement. Hanabusa's heartfelt portrait expands from the story of an old-fashioned family business competing with corporate supermarkets, toward a subtle and sophisticated critique of social exclusion and the persistence of ancient prejudices.

A teen drama set during the fall potato harvest in a small northern Maine town.

The short explores the relationship between George, a man trapped inside a small bottle, and Chako, a young girl who is scared of her alcoholic father. She is poor, but resilient, and she lives with her cat.

A gorgeous and frequently emotional rumination on the “big things” in life, James Gallagher’s new short film, Love, poses questions on what we love, why we love it, and what happens when the desire to win becomes detrimental to our experience of ourselves and other people. While that description seems preachy, the film is not didactic—on the contrary, its plot is extremely loose and impressionistic, requiring the viewer some effort to construct its fast-moving snippets into a coherent narrative.

Pizza isn't the only thing delivered in this horror-comedy. Zaffo is a pizza-delivery guy who's constantly ridiculed by his friends and co-workers. When a group of teenagers force Zaffo into a homoerotic situation, he finally decides to fight back, enlisting the help of a psychic and an over-the-top gay customer to cast spells on the boys. Once Zaffo has them under his power, he tortures them … one at a time.

Max, awakening on his wedding morning, discovers that it is close on the hour when he should be at the church. He dresses hastily, and in struggling with a refractory collar, allows his boots to be burnt by the fire. There is no time to change them, and he hastens off to the bride's house. On the way his soles part company with their uppers, and poor Max enters into negotiations with a passing labourer for the purchase of his footgear.

For a poet with a gift for crafting words into barbs, Stevie Smith lives a relatively conventional life. Sheltered in a London suburb, she spends her days engaged in tedious housework, crafting verse and conversing with her aunt. But while her body may be committed to drudgery, Stevie's mind is constantly trying to break free, which causes her to rail against religion and middle-class values, and prevents her from finding happiness with a man interested in her.

Alice misunderstands when she sees her sweetheart Frank accidentally kissing her sister, and gets upset. Frank claims he'll kill himself by throwing himself into the river, but gets cold feet when it comes time to actually do the deed. Fortunately for him, his girlfriend has come running worried after him, and all is forgiven between them.

A young crook called Joë Caligula and his crew make war on a Parisian gang.

Born in 1918 in the ideal village of independence activists in the northern part of Manchuria, pastor Moon Ik-hwan lost his childhood friend Yun Dong-ju under Japanese oppression and Chang Chun-ha during the Yusin regime. Moon survived the mass of modern Korean history, giving hope everywhere suffering.

Santoso and Wati are in grief for Agung, their only son, suddenly died. It leads Santoso into unfavorable circumstances while he gets around to preparing for the funeral.

In this musical, fairly light movie, two young people, Joey and Piper are in love. They embark on a cruise to Paris to get married, with the acerbic but kind Aggie as a chaperon. Along the way, their sweet innocent romance runs into trouble when Coco, a french dancer uses Joey to make her straying boyfriend jealous.

The story is essentially the same as the popular Jane Cowl play, with Talmadge in the dual role of Kathleen and Moonyean. Kathleen, a young Irish woman, is in love with Kenneth Wayne but is prevented from marrying him by her guardian John Carteret. John is haunted by memories of his thwarted love for Kathleen's aunt, Moonyean.