A scientist has been attacked and a secret recipe stolen, so a private detective duo is hired to unravel the mystery.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

An orphaned bear cub is adopted by little Emily and her family. They name the cub Masha, raise her and release her back into the wild. Three years go by, and Emily is lost deep in the forest. Cold, frightened and alone in the darkness, she falls and is knocked unconscious. When she awakens, Emily is amazed to see that a brown bear has kept her warm and dry all night by cuddling her. It's Masha – and Emily is overjoyed to be reunited with the bear just when she needs a friend most. Together the two bravely set off on an adventure to find their way home. Bear With Me is a tale the whole family will find as exciting as it is heart-warming . . . and the magnificent forests of the Pacific Northwest lend this story of loyalty, friendship and adventure a magic all its own.

A young man Danesh learns of ancient relics, including a ruby that once a year can help find treasure in the Canyon of Scorpio. As the old man holding the knowledge passes away, Danesh receives the ruby and a map, setting out for an adventure full of mystery and danger, friend and foe, set under the dazzling southern sun.

Directed by Jordan Blady, One Temporary Escape captures New Zealand band The Naked and Famous live at The Warfield in San Francisco towards the end of their two year "Passive Me, Aggressive You" world tour.

Maria cannot stand her husbands jealousy any more. He treats her in a violent way, a proof of their relation is going through a crisis. A trip they were planning to take together aiming at the amelioration of their relationship, confronts them with sex, violence and a deadly secret. Giannis appears in Marias life and they soon become lovers. The boundaries between freedom and jealousy are hardly

This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).

Jim Vesser and his team of railroading men try to build a rail line through a mountain pass, while a group of less scrupulous construction workers sabotages the entire operation in the hopes that they can get their tracks laid first and get the money from the railroad.

A man learns an unexpected lesson about the power of the written work in this dark independent comedy from Canada. Martyn (David Hewlett) is a young man who seems to be devoting his life to going to college; he's persuaded into stealing a rare and valuable book, but the burglary goes awry and Martyn is forced to kill a book dealer when he tries to hold on to the previous volume. Martyn now has to make a getaway, get rid of the body, and deliver the purloined letters, but there's a problem -- his car won't start. Martyn finds Theresa (Tanya Allen), a beautiful female auto mechanic, and persuades her to fix his vehicle. She agrees, but Martyn soon realizes that her boyfriend is the man he's just murdered. Theresa soon catches on that Martyn has stolen the book, and displays a greater interest in his ill-gotten literature than her boyfriend's death or repairing the car.

The film highlights the sacred bond with another human being through nuptial rituals and the sanctity of the institution of marriage.

Two childhood friends take a rifle into the mountains, and return with a secret.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

The film interweaves three layers: the centre is Kleist's play "Penthesilea". Like from a distance Kleist observes the relationship beween man and woman, when he transfers into mythical Greece what in his time became a problem for him in Prussia - and remains to be a problem also for us. The director's associations during the work form the second layer. Reality and fantasy blend to an imaginary biography of Kleist, the third layer. At the end of the film Kleist is identical with his title character Penthesilesa. (www.filmgalerie451.de)

The plight of children in South Vietnam studied by an American child psychologist, whose interest is in evacuating some of them to the United States.

Family film 'My Sisters Kids & the Gold Diggers' sends Uncle Erik and the kids on a new adventure. This time discovering the children that their great-grandfather emigrated from Denmark and was a gold digger in Canada. Even now, many years later, they still have family over there. So when the family comes in contact with an aunt, they travel across the Atlantic to visit her. In Canada awaits them a true treasure hunt, the wild and two greedy prospectors. At the same time they are joined by Mrs. Flinth which, as always, has a crush on Uncle Erik.

A boy is taken aback by his seemingly cyclical lifestyle

Zoilo Cajigas y Sotomayor is a carver of wooden models of saints. Don Zoilo is one of Puerto Rico's best-known artisans and was 96 years old at the time of the filming. The film shows the elaborate process behind his craftsmanship.

Bob James made his name in fusion and smooth jazz, but some of us believe the pianist’s acoustic trio records represent his highest art. His 1996 album Straight Up, with bassist Christian McBride and drummer Brian Blade, and 2004’s Take It from the Top, with bassist James Genus and drummer Billy Kilson, are career highlights and gems of their genre. Those records will never escape the shadow of 1978’s Touchdown or 1975’s One, but now James gives us the best of both worlds, revisiting his biggest hits in a trio format and tossing in other tunes. Despite its title, Feel Like Making LIVE! isn’t a concert recording. It was recorded “live in the studio” with old pal Kilson and young bassist Michael Palazzolo, who’s been in James’ bands for several years now. Rather than swing like a bop trio, they play classy, R&B- and pop-tinged jazz that’s both accessible and adventurous.