Dragon Ball Z: The Real 4-D is a cinematic attraction at Universal Studios Japan, as part of "Universal Jump Summer". The attraction features a new installment in the Dragon Ball series, which primarily depicts a CG animation of Goku vs. Frieza, presented as a 4D attraction. The event was held from July 1 to September 4, alongside similar attractions based on One Piece and Death Note.

Passengers on a murder mystery train that crashes into a river must decide whether to risk waiting for help in the wreckage or take their chances in the murky depths below.

In a far-future time ruled by the supernatural, a young girl requests the help of a vampire hunter to kill the vampire who has bitten her and thus prevent her from becoming a vampire herself.

After winning his first competition, Takumi focuses his attention on drift racing, a sport he has unknowingly perfected while delivering tofu in his father's Toyota AE86.

In Italy, Checco Dal Monte manages a troupe of traveling performers with plenty of heart but minimal talent. At a small town engagement, he encounters the starry-eyed, gorgeous Lily Antonelli, and hires her as a dancer on the show. Vivacious Lily quickly sells out crowds and earns the resentment of Checco's mistress, Melina Amour, but the fledgling performer has far bigger ambitions and soon sets her sights on a higher-profile role.

Porto Alegre, 5 October 1984, front page of a newspaper: "Extreme left-wing activist holds up the home of an ex-consul of Paraguay, then commits suicide". The extreme left-wing activist was the director's father. The ex-consul was an ex-nazi whose past her father was investigating.

An unemployed Japanese man and his two sons wander the industrial flatlands of Depression-era Tokyo, until he chances upon an old friend and befriends a woman and her daughter, who are in a similar predicament.

A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships are complicated: Sebastian, volatile, a heavy drinker, in debt, guilty of killing his former partner, is having an affair with that man's widow. She is Thea, high strung, prone to fits, and seemingly fragile, currently married to Sebastian's new partner, Hans. Hans is the troupe leader, wealthy, self-contained, and growing tired. The judge plays on the trio's insecurities, but when they finally, in a private session with him, perform the masque called The Rite, they may have their revenge.

In Budapest, two rival gangs of young boys lay claim to a vacant lot. The hostilities escalate yet never quite boil over into actual violence.

Arun is a shy accountant in Bombay who dreams of romancing Prabh, but never gets past following her around without managing to actually speak up. While Arun twiddles his thumbs, suave Nagesh steps into the picture and turns on the heat, prompting Arun to take "love coaching" from "romance specialist" Julius Nagendranath to win Prabha back.

In pre-revolutionary China, two young girls, Chunhua and Yuehong Xing, rise through the ranks of Chinese opera, but with their artistic success comes a new series of personal and social challenges. After they're sold to a Shanghai opera and the revolution dawns, Yuehong radicalizes and devotes her career to politically progressive performances, while Chunhua flees to avoid turmoil. As the world changes around them, they fight to maintain their friendship.

Shirley Ross plays an innocent young girl convicted for complicity in a crime committed by her boy friend (Lloyd Nolan). The male crook is sentence to six months on a prison farm populated by both men and women (segregated, of course). Ross is also incarcerated, suffering the cruelties of the sadistic male and female guards (including J. Carroll Naish and future "Ma Kettle" Marjorie Main!)

A man attempts to remain hidden from view from the camera and other eyes.

It is a sweltering day in Buenos Aires, Miserere square and the railway station are packed. Almost unnoticed, a group of guys prostitute themselves for little money. Their thoughts emerge, deadening the oppressive hustle and bustle of the square and the station. Miserere reveals an invisible problem: the prostitution of needy men in the big Latin American cities.

While out grocery shopping, meek, middle-aged Samuel Smith and family pet Rover are run over by a speeding car. Fortunately for them, an ambulance shows up right away. Unfortunately for them, the ambulance attendant mistakenly treats Sam with dog plasma and Rover with human plasma. Both immediately recover - after which Sam starts erupting into bouts of dog-like behavior and Rover begins walking and talking like a human being, much to the consternation of the people around them, especially Sam's wife, Margaret.

Phillipe, the son of an ambassador in London, idolizes Baines, his father's butler, a kind of hero in the eyes of the child, whose perception changes when he accidentally discovers the secret that Baines keeps and witnesses the consequences that adults' lies can cause.

Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.

„Un muncitor nu are niciun ban. I se oferă o slujbă: să lipească afișe. Îi trebuie o bicicletă. Nevasta lui își vinde perdelele. El cumpără bicicleta, dar i se fură. Suntem în fața unei scriituri vizuale, a unui aparat de filmat care înregistrează un mecanism sufletesc comparabil celui întâlnit la Gogol, când acesta construiește o întreagă dramă în jurul unei anecdote neînsemnate.” - Jean Cocteau - 1949

A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.