This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

This feature-doc tells the epic story of the Faberge name, from Imperial Russia until the present-day, spanning one hundred and fifty years of turbulent history, romance, artistic development and commercial exploitation. From the bejewel led Easter eggs of the Romanov Tsarinas to the 1970s allure of 'Brut by Faberge' aftershave, and from the Russian revolution to today's high-fashion glitz in New York and London, the film explores a multi-faceted world that began with one man: the prodigiously talented Peter Carl Faberge, Court Jeweler of St Petersburg. Shot at locations across Russia, Europe and USA (including the collection of Her Majesty Queen Elizabeth II), the film features interview contributions from the world's foremost Faberge authorities, as well as personal reminiscences from Faberge family members.

Standing on the precipice of adulthood, a group of friends navigate new relationships, while reexamining others, during their final summer before college.

He was at the bay when his world split in half.

Paris Hilton, the Fat Jew, and Brittany Furlan have all used social media to achieve massive internet fame. But, American Meme explores, is it worth it?

This collaboration between an inscrutable artist and his filmmaker son speaks volumes, despite documenting a man of very few words, whose practice embraces meditative silence.

Today is a great day, Marvin will finally meet his girlfriend’s family. He will discover a gallery of characters each more eccentric than the other, in front of Sarah amazed. An exchange of points of view will disentangle a few family tensions.

Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.

Songs from Tsongas is a live video and album by the English rock band Yes, released on DVD in 2005 and CD and Blu-ray in 2014 by Image Entertainment. It was recorded at the Tsongas Arena in Lowell, Massachusetts on 15 May 2004 during the band's 2004 tour in celebration of their 35th anniversary. It is the band's last live album to feature original singer Jon Anderson.

Un tânăr se confruntă cu demonii trecutului său violent în ascensiunea sa periculoasă către statutul de cap mafiot. Bazat pe romanul de mare succes al lui Victor Headley.

A sensory journey that over the course of hours, passes through crises. The constant non-communicability, even so, conceals carnal desire by the two human beings.

The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.

2013. During Operation Bidone, the Federal Police seized a truck loaded with palm heart, which contained 697 kg of cocaine. The investigation falls on the team assembled by Ivan Romano, based in Curitiba and composed by Beatriz, Júlio and Ítalo. The traffic connections lead them to the dower Alberto Youssef and later to the former Petrobras director Paulo Roberto Costa, who reveals an immense structure involving builders and the government, in order to divert public money. As the investigation progresses, the group led by Ivan is increasingly approaching some of the country's most influential politicians.

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.