Soviet wartime cameramen accompanied the fighting troops of the Red Army on foot, aboard their tanks, and in their aircraft to film this epochal documentary of the Battle of Moscow that halted the vaunted and---until then, unstoppable---German war machine cold in its tracks.

A 1988 documentary film directed by Alexander Sokurov, about the later life and death of Soviet Russian filmmaker Andrei Tarkovsky. The film was originally intended to mark the 50th birthday of Tarkovsky in 1982, which would have been before his death. Controversy with Soviet authorities about the film's style and content led to significant delays in the production.

Full performance of the now classic Magma trilogy recorded live at the famous Triton at Les Lilas in November 2014

This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.

Christian Slater is a stranger who comes to a small town. The local citizens think he's up to no good. After bothering him for a while, he blurts out in frustration, that he is there to kill himself.

Când tânăra soție a lui David Wilson pierde lupta cu cancerul, el devine un părinte singur, cu responsabilitatea de a se îngriji de fiul său cu autism aflat în clasa a șasea. Patrick, care preferă să fie numit „Po”, este un copil talentat, dar încercat, care era foarte apropiat de mama lui și nu poate să-și comunice propriul sentiment de pierdere. În timp ce tatăl și fiul se luptă să facă față vieții după moartea mamei, fiecare începe să se retragă în propria lui lume. David, în locul de muncă foarte presant pe care aproape l-a pierdut, iar Po se îndepărtează de școală, unde a fost hărțuit, în lumea sa fantastică magică, „Land of Color”, unde este doar un băiat tipic fără griji, cu o bogată castă de alți însoțitori lumești. Diviziunea din ce în ce mai mare dintre tată și fiu și provocările unui părinte singur al unui copil cu nevoi speciale, amenință să-i separe definitiv pe David și Po.

A director faces creative block while working on his latest film - a reimagination of his adolescence growing up in a mountain village in rural Japan.

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

During the Chinese Revolution in 1949, young Chinese copra trader named Fong-Huan marries Elisa, a young and pretty Filipina. The couples children, Daniel and Linda, were raised in a mixture of Chinese and Filipino-Hispanic tradition. These richly cultured people are the ancestors of a dysfunctional third-generation family whose daughters tell their own stories of joy, struggle, and the complex realities in the life of Filipino Chinese families.

Unhappily married, Julia Sturges decides to go to America with her two children on the Titanic. Her husband, Richard also arranges passage on the luxury liner so as to have custody of their two children. All this fades to insignificance once the ship hits an iceberg.

Egon and the gang are hired to stage a robbery of an antique Chinese vase for an economically challenged baron. Naturally they fooled, which infuriates Egon. The gang tries to get back at the baron by switching the vase with a cheap Hong Kong copy. One attempt is made during the barons hunting party, where Egon ends up being bricked up in the catacombs. In another attempt, the gang has to coordinate breaking through several walls at The Royal Theater in Copenhagen with the "Elverhøj" overture.

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

Abstract painting and modern music create an animated soundscape. A succession of tangled, non-figurative images is punctuated by playful character animation.

Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.

An aging, down-and-out public employee must face the primary school examination.