A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

This time taking on the rival Tung Sing triad, who is attempting to usurp Hung Hing influence in Hong Kong by having Tung Sing member Crow frame Ho Nam for the murder of Hung Hing Chairman Chiang Tin Sang. On the plus side, Chicken finds a new love interest in Wasabi, the daughter of the comedic priest, Father Lethal Weapon Lam.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Cu ajutorul filmărilor de arhivă și al interviurilor cu experți, acest documentar examinează cariera dirijorului Mantovani și faimoasele sale „corzi în cascadă”.

An unsupervised junior soccer team loses its ace player to the leader of a rival gang. Since only an entire team can win, they must have her back to be able to win the game against the national team. The existence of The Wild Soccer Bunch is at stake ...

With The Cookie Jar, Hannah Swensen has a mouthwatering monopoly on the bakery business of Lake Eden, Minnesota. But when a rival store opens, and one of the owners is found shot to death in the store, Hannah is determined to prove that she wasn't the only one who had an axe to grind with the Quinn sisters. Somebody wasn't fooled by the Georgia Peaches and their sweet-as-pie act--and now it's up to Hannah to track down whoever had the right ingredients to whip up a murder.

A year after Amber helped Richard secure the crown. The two are set to tie the knot in a royal Christmas wedding — but their plans are jeopardized when Amber finds herself second-guessing whether or not she's cut out to be queen, and Richard is faced with a political crisis that threatens to tarnish not only the holiday season but the future of the kingdom.

As a result of a successful conspiracy against Menshikov, Peter II is prematurely recognized as an adult and is in a hurry to be crowned in Moscow. The Dolgoruky brothers gather for this celebration. There were eight of them - all-powerful and influential representatives of the ancient Rurikovich family - and among them the beautiful Ekaterina, the daughter of the huntsman Alexei.

The Author, i.e. J. R. R. Tolkien himself (played by Zinovij Gerdt), tells "his" story: the life of Bilbo Baggins, a quiet and enjoyable hobbit, is turned upside down when he decides to join the wizard Gandalf and a company of thirteen dwarves in an attempt to regain a treasure stolen from the latter. [Soviet television movie adaptation of "The Hobbit"]

8mm film by Swiss artist Roman Signer.

Unable to bear a child, Pooja is asked to compromise with her husband's new mistress or leave the house. Pooja's brother, Raju decides to fight for his sister and reunite her with her husband.

The Fixies are little creatures that, unseen by humans, help them maintain their appliances – and generally make sure things don’t fall apart… Until an unexpected occurrence of gargantuan proportions threatens to reveal the Fixies’ existence!

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

Vară, stradă încinsă, amiază. Tocuri pe caldarâm. Fusta ce se arcuiește pe coapse și joacă în ritmul pașilor. O adiere de vânt, părul, un surâs discret de femeie ce se știe privită și admirată.Pași lungi, gambele cu mușchi întinși, tricoul lipit de umerii rotunzi și puternici. Pielea măslinie. O geantă sport purtată de-a curmezișul și privirea lipită de pielea femeii ce merge la câtiva pași în fața lui.RAFAEL (19) o urmărește pe CRISTINA (34).În ciuda diferenței de vârstă dintre cei doi, Rafael (Rafael Florea) și Cristina (Hilda Peter) au în comun aceeași nevoie disperată de afirmare. De-a lungul filmului, fiecare învață în felul său lecția maturizării și a compromisului.BOX este o poveste de dragoste spusă altfel decât în filmele americane. Realizat de Florin Șerban, regizorul succesului "Eu când vreau să fluier, fluier", BOX este o provocare atât emoțională, cât și intelectuală.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.