Don Alfonso plays marimbas, the traditional Guatemalan instrument. Facing extortion and without work due to the population's lack of interest for his instrument, he seeks refuge with his godson Chiquilín. Blacko is a pioneer of the Heavy Metal Guatemalan underground stage. He is also a doctor in the public hospital but nobody wants to be treated by him because of his long hair and his tattoos. Chiquilín makes connections for Don Alfonso and Blacko to combine their talents and create a brand new band called Marimbas from Hell.

Lamont Cranston, aka The Shadow, investigates the murder of a New Orleans bandleader.

Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet filmed this film in France and Egypt during 1980. They reflect on Egypt’s history of peasant struggle and liberation from Western colonization, and link it to class tensions in France shortly before the Revolution of 1789, quoting texts by Engels as well as the pioneering nonfiction film Workers Leaving the Lumière Factory (1895).

During a hot Sunday afternoon in a small Southern Italian town, a school serving as a polling place is occupied by a group of three locals and an Eritrean immigrant, all unemployed, desperate and armed.

The relationship between Lelia, a light-skinned black woman, and Tony, a white man is put in jeopardy when Tony meets Lelia’s darker-skinned jazz singer brother, Hugh, and discovers that her racial heritage is not what he thought it was.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Virginia is proud that she belongs to a clique. The best students at a private school. But before her 18th birthday, a gruesome set of murders take place and her friends are the ones who are falling prey. Could it be her? She suffers from blackouts due to a freak accident one year earlier. We soon learn the truth behind her accident and what is going on.

A silent, surreal parallel between a couple and a dog.

When a young boy's family is killed by the mob, their tough neighbor Gloria becomes his reluctant guardian. In possession of a book that the gangsters want, the pair go on the run in New York.

After his father's death, a young man is introduced to a world of hedonism and depravity by his amoral mother.

Actress Myrtle Gordon is a functioning alcoholic who is a few days from the opening night of her latest play, concerning a woman distraught about aging. One night a car kills one of Myrtle's fans who is chasing her limousine in an attempt to get the star's attention. Myrtle internalizes the accident and goes on a spiritual quest, but fails to finds the answers she is after. As opening night inches closer and closer, fragile Myrtle must find a way to make the show go on.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Viridiana is preparing to start her life as a nun when she is sent, somewhat unwillingly, to visit her aging uncle, Don Jaime. He supports her; but the two have met only once. Jaime thinks Viridiana resembles his dead wife. Viridiana has secretly despised this man all her life and finds her worst fears proven when Jaime grows determined to seduce his pure niece. Viridiana becomes undone as her uncle upends the plans she had made to join the convent.

Mabel Longhetti, desperate and lonely, is married to a Los Angeles municipal construction worker, Nick. Increasingly unstable, especially in the company of others, she craves happiness, but her extremely volatile behavior convinces Nick that she poses a danger to their family and decides to commit her to an institution for six months. Alone with a trio of kids to raise on his own, he awaits her return, which holds more than a few surprises.

Two con artists try to swindle a stamp collector by selling him a sheet of counterfeit rare stamps (the "nine queens").

A passenger on a cruise ship develops an irresistible infatuation with an eccentric paraplegic's wife.

Bess este o fată profund religioasă care își păstrează inocența și se căsătorește cu Jan. Bărbatul lucrează ca muncitor petrolier pe mare, este considerat un străin în comunitatea închisă de care aparține Bess. Fata nervos instabilă, când află despre plăcerile carnale, nu se satură de el, dar Jan trebuie să se întoarcă la platformă. Zilele lui Bess sunt pline de nerăbdare, ea se roagă lui Dumnezeu în fiecare seară pentru ca soțul ei să se întoarcă acasă cât mai curând posibil. Rugăciunile sunt ascultate, Jan se întoarce acasă, dar, în urma unui accident grav, întregul său corp este paralizat. Acesta este un adevărat test pentru amândoi, dar dragostea este o forță puternică capabilă de miracole. Ascultătoare de vocile interioare, Bess îndeplinește necondiționat dorințele tot mai perverse ale soțului ei imobilizat.

A young neurosurgeon inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback, a pretty lab assistant and the elderly housekeeper. Young Frankenstein believes that the work of his grandfather was delusional, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind.

Un formidabil debut alb-negru scris și jucat într-un dialect Farsi dar filmat în California de o fată de 34 de ani născută la Londra din părinți iranieni (și care tocmai pregătește un film cu canibali). Cool, seducător și teribil de romantic, filmul îi surprinde chiar și pe cei care credeau că nu se mai poate face nimic nou în materie de vampiri în anul de grație 2014, A.J. (După Jarmusch). Premiera mondială: Sundance 2014.

În Italia, la începutul anilor 1970, șeful brigăzii criminale este pe cale să fie promovat la funcția de director al secției. Convins că îndatoririle lui îl pun mai presus de lege, îi tăie gâtul amantei sale, Augusta Terzi, în timpul unei partide amoroase. Cu un calm desăvârșit, face totul pentru a dovedi că nimeni nu va avea inteligența, nici măcar îndrăzneala, să-l bănuiască și să tulbure astfel buna ierarhie socială. El reușește să semene dovezi copleșitoare, relansând ancheta atunci când aceasta se oprește...