This seminal work of avant-garde opera from composer Philip Glass and director Robert Wilson arrives full-circle, coming to France, the site of its 1976 Avignon Festival world premiere, at the tail end of this 2014 revival tour for a landmark Theâtre du Châtelet production and a first ever filming by award-winning arts filmmaker Don Kent. Eschewing conventional narrative, the opera revolves loosely around pacifist Einstein’s relationship to the creation of the atomic bomb.

In the year 2000 the Mexican film director, Francesco Taboada Tabone, began his search for the last of the soldiers to have fought beside General Emiliano Zapata in the 1910 Revolution.

The film's soundtrack is an original musical composition produced with synthetic sound - through photographing unusual geometric shapes and running them through an optical sound head. The images are an artistic rendering of this soundtrack.

Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.

Even with his long white beard and aching back, an aging Donald still has to make ends meet by lancing trash in the park. When he happens upon his old partner, an elderly honey bee named Spike, it conjures up memories of the good ol' days.

Basri and Salma, a childless couple who have been married for 5 years, own an Odong-Odong at the carnival together, spending their days entertaining and taking care of other people’s children without any of their own. One day they have to attend a family reunion where they are being intimidated and repressed by other family members. Between meddling relatives, self-doubt and an explosive confrontation, they uncover why they have not been blessed with a child.

In the year 198, Cao Cao, Prime Minister of the Han Dynasty, ventured to the east and defeated China's greatest warrior Lu Bu, terrifying every ambitious warlord across the country. Several years later, after taking the Han Emperor under his wing, Cao crowns himself King of Wei. He built a magnificent Bronze Sparrow Island to symbolize his power and rumors spread that he would replace the Emperor. Meanwhile, young lovers Mu Shun and Ling Ju are taken from a prison camp to a hidden tomb, where they spend five cruel years together, training as assassins for a secret mission. In the year 220 astronomical signs predict dramatic change. As a result, Cao's son Cao Pi and Cao's followers urge Cao to become the new Emperor - but unknown opposing forces plot against him.

After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.

Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.

New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

Two Soviet partisans leave their starving band to get supplies from a nearby farm. The Germans have reached the farm first, so the pair must go on a journey deep into occupied territory, a voyage that will also take them deep into their souls.

Happer, proprietarul unei companii petroliere, dorește să construiască un nou complex petrolier. De aceea îl trimite pe Mac într-un mic orășel de pescari din Scoția, pentru a negocia cu localnicii vânzarea terenurilor. Mac face echipă cu Danny și pleacă în nord. Aici însă îl întâlnește pe Ben, un bărbat ciudat care locuiește pe plajă și care-i ajută pe Mac și Happer să redescopere plăcerea de-a trăi!

În timpul celui de-al Doilea Război Mondial, un bărbat japonez lucrează ca supervizor într-o închisoare din Manchuria. Bărbatul spera să nu fie nevoit să-și facă datoria ca soldat, dar și să ajute prizonierii. O încercare de evadare a prizonierilor chinezi duce la arestarea lui Kaji, acuzat de complicitate. Acum trebuie să aleagă între a se duce pe câmpul de luptă și ceva...mult mai rău.

The Fool is a movie about a simple plumber. An honest man, he is up against an entire system of corrupted bureaucrats. At stake are the lives of 800 inhabitants of an old dorm that is at risk of collapsing within the span of the night.

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress—connect to the music business in Nashville, Tennessee.

A young, lonely woman is consumed by her deepest and darkest desires after tragedy strikes her quiet country life.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

The men of Bravo Company are facing a battle that's all uphill… up Hamburger Hill. Fourteen war-weary soldiers are battling for a mud-covered mound of earth so named because it chews up soldiers like chopped meat. They are fighting for their country, their fellow soldiers and their lives. War is hell, but this is worse. Hamburger Hill tells it the way it was, the way it really was. It's a raw, gritty and totally unrelenting dramatic depiction of one of the fiercest battles of America's bloodiest war. This happened. Hamburger Hill - war at its worst, men at their best.