Italy, mid '60s. Three guys from a poor neighbourhood try to get rich by printing fake money using the fact that one of them works as a typographer. The story unravels around their embarrassed efforts to spend the money, their little family issues and ends with a surprise.

Let's Hope It's a Girl is a multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.

Beniamino and his family have lived inside a school since the end of the war. After five years they have to move, but in Rome it's not easy to find an apartment.

A tribute to Naples, this film presents six episodes: a clown exploited by a gangster, a pizza seller losing her husband’s ring, a child's funeral, a gambler beaten by a kid, a prostitute's unusual wedding, and a "wisdom seller" offering advice.

Greedy Baron Antonio Peletti refuses to give to his town the heredity left by his father, a box full of precious jewels, which he keeps for himself. The major and the rest of the townspeople therefore organize a trick at his expense: they'll make him believe he is dead, and, in a fake "afterlife", they'll try to convince him to finally show them where the money is hidden to save his soul.

In the late 19th century, a former high school teacher turned unionist tries to organize workers laboring with inhuman conditions at a textile factory.

September 1943: in the general confusion a thief dressed as a priest and a sergeant exchange clothes and roles.

In the first Italian film to be shot in color, Totò portrays a musician named Antonio Scannagatti who strongly hopes to sell his composition, "Epopea italiana", to Tiscordi, who is one of the most important Italian impresarios.

A widow goes to Italy from South Africa to find out whether or not her late husband's five nephews are worthy of his inheritance...

Bertone is a moderately honest homicide cop. Unfortunately, the court system is so inept and corrupt that many more-or-less honest policemen have begun taking the law into their own hands. Between his efforts to thwart the growth of crime and to control his vengeful co-workers, homicide-chief Bertone has his hands full

Filumena, an ex-prostitute and for decades Domenico Soriano's lover, discovers that he intends to get married and so pretends to be on the verge of death in order to get him to marry her instead.

The endearing efforts of a divorced, simple baker to capture the attentions of a bourgeois society woman.

After saving an infant of royal blood, knight Brancaleone forms a new army and sets out to return the baby to his father: a prince fighting in the Crusades.

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

Trimis într-un orășel adormit, un polițist de vârstă mijlocie se îndrăgostește de o localnică superbă, dar la fel i se întâmplă și unui ofițer timid din subordinea sa.

Eugene, a young nobleman, asks two penniless idlers to impersonate his noble relatives to help him marry Gemma, the daughter of an enriched cook.

Marea Greciei, al Doilea Război Mondial. O navă italiană lasă o mână de soldați pe o mică insulă; misiunea lor este să repereze navele inamice și să țină insula în caz de atac. Satul insulei pare părăsit și nu se vede nici un inamic, așa că soldații încep să se relaxeze puțin. Lucrurile se schimbă atunci când nava lor este lovită și distrusă de inamic, iar soldații se trezesc abandonați acolo.

Antonio, Peppino and Lucia are three brothers who live in the country near Naples. Lucia's son, Gianni, goes to Naples to study medicine, but there he knows a ballet dancer. They fall in love and, when she goes to Milan, Gianni follows her. Informed of this and afraid that their nephew will stop studying, the three Caponi brothers leave for Milan to persuade Gianni to come back and continue studying and abandon the "Malafemmina" (bad girl).

Paola, a modern woman used to the hardships of modern life, takes her chance to make things right for herself.